2 Fast 2 Furious Cars: How Fast Are They, Really?
Finding out how much magic these movie cars have in real life.Editor's Note: In the run up to the launch of"F9" on June 25, the latest movie in the "Fast and Furious" saga, we mined the archives for this furiously fun story, a version of which originally appeared in the July, 2003 issue of Sport Compact Car.
Thereʼs always been something special about movie cars. From Steve McQueenʼs ʼ67 fastback Mustang in "Bullitt" to Burt Reynoldsʼ black Trans Am in "Smokey and the Bandit" to the GT500 Mustang Nick Cage called Eleanor in "Gone in 60 Seconds," movie cars become objects of desire.
This is due to something called movie magic. Without movie magic, Steve McQueenʼs Mustang would have fallen apart after the first jump, Burtʼs smogger motor T/A would have been stopped at the first road block, and Eleanor would have ended up in the Long Beach impound.
Well, we decided to take a sledgehammer to movie magic and that sledgehammer is our trusty radar gun. We trucked six of the cars from "2 Fast 2 Furious," the sequel to the 2001 summer blockbuster "The Fast and the Furious," out to California Speedway in Fontana, California, for a day of testing. We wanted to see just how fast the movie cars really are.
To find out we ran each through our usual battery of tests, including skidpad, 60-to-0 braking and the all-important acceleration runs from 0-to-60 mph and through the quarter mile. For safety's sake, we skipped the slalom test. Although most of the cars had four-point harnesses, we questioned the way they were mounted and didnʼt want to take any chances.
Of the hundreds of cars in the movie, we chose the six we thought were the most interesting. They are the Nissan Skyline GT-R, Toyota Supra Turbo, Mitsubishi EVO VII, Honda S2000, Mazda RX-7 and for kicks, we included the 427-cubic inch 1969 Chevrolet Camaro. Donʼt laugh. It turned out to be the quickest car of the day.
One more thing should be pointed out. We chose to test the most authentic version of each car. You need to realize that each car used in the movie has four or five doubles, with varying equipment and build quality. A good example of this is the 427 four-speed Camaro we tested, which was used for close-ups and some drive-by stuff. The production team also used several other cosmetically duplicate 1969 Camaros for stunts, but those had small-block 350-cubic inch crate motors and three-speed automatic transmissions.
So how fast are they really? Read on, and see for yourself. Just remember, movie magic has no place inSport Compact Car.-Scott Oldham
1993 Toyota Supra Turbo: Old Dog, New Tricks
Considering the prominent role played by a Toyota Supra in the first "The Fast and the Furious," itʼs somewhat curious to see one back in the series that isnʼt orange and isnʼt driven by either Paul Walker or Vin Diesel. The gold Supra in "2 Fast 2 Furious" is instead piloted by a character called Slap Jack played by actor Michael Ealy. Why heʼs called Slap or why heʼs called Jack hasnʼt been explained to us, but if heʼs doing much slapping or jacking, he ought to stop before he goes blind.
Unlike most of the cars in "2 Fast 2 Furious" that were close to stock mechanically, the Slap Jack ʼ93 Supra has been transmogrified with the replacement of its stock twin-sequential turbos with a GReddy single-turbo system. With a big GReddy T-88 turbocharger crushing the intake tract of the 3.0-liter, DOHC, straight-six, the potential for a stupid-fast Supra is obvious. In the "2 Fast 2 Furious" universe, transportation coordinator Ted Moser says this car comes packing 654 hp and a big chunk 525 lb-ft of torque, which is good enough, in that alternate reality, to thunder the Supra to 60 mph in just 4.5 seconds and through the quarter mile in just 11.9 seconds. In the real world, itʼs a different story.
Ladled on top of the Supra is a Versus Motorsports body kit and about an acre-foot of House of Kolor gold mine pearl paint. The 19-inch wheels are OZ SuperLeggeras and they're inside a set of Toyo Proxes T1-S tires. The interior is overstuffed with electronics, including a Panasonic in-dash video system and a Rockford Fosgate amp so humongously huge that it pretty much fills the carʼs rear cargo area and rests on a panel that looks like machined aluminum between the roll cages down bars and next to dummy nitrous bottles.
The result is that rearward vision not blocked by the amp is wiped out by the tall rear wing. Hey, who needs to see whatʼs behind them anyhow? An interesting feature is a vented Plexiglas panel on the hood that leaves the engine visible for display, much like a Ferrari 360 Modena.
Showing 93,200 miles on its odometer, the Supra was a pretty beat used car long before it wound up in the hands of "2F2Fʼs" transportation department. And it drives like a beat-up Supra. "Straight ahead, the steering wheel is at 90 degrees," explains Josh after his acceleration runs. "Iʼm not sure it would be safe in a straight line." For a 10-year-old car that had had its structure ripped apart by 90,000-plus miles of commuting and creative abuse at the hands of a bunch of movie maniacs who thought of it as disposable, the Supraʼs structure was still impressively intact and the untouched six-speed shifted well. This car would work as pretty good raw material for anyone wanting to build a hero machine.
Though it makes a wicked howl when the turbo spools up, itʼs not making anywhere near 654 hp. This thoroughly beat drivetrain pushed the Supra down the real world quarter mile in a lackadaisical 14.5 seconds at 94.0 mph and made it from 0-to-60 mph in 6.4 seconds. Back in its first test of the ʼ93 Supra Turbo,Car and Driverripped off a 13.1-second time in the quarter mile at 109 mph and ripped from 0 to 60 in just 4.6 seconds. Weʼve driven other GReddy-hyped Supras and know that if itʼs running right, it'll run 12s even if your great-great-great-grandfather who had never even seen a car before was driving—and heʼs dead!
Feeling sloppy on the skidpad, the Supra could only manage to pull 0.90 g, despite the big wheels and tires. It did drift dramatically however and, really, thatʼs more important in the movie world than grip.











